My process on commissioned paintings

When I work on a commission there is so much more to the finished painting.

This is the process I use in this practice:

  • Meet and talk with the client to get a brief of what they are wanting in the finished work.

  • If convenient I will visit the location if the work is a landscape and make notes in my journal about the concept.

  • I will then go back to the studio and prepare some thumbnail sketches in my journal which gives me more insight into the draft sketch I will prepare to send to the client.

  • From these thumbnail sketches I can then work out the most workable composition and think about what time of day I will set the work in which will determine where the light is coming from (if the work is in the outdoors eg. a landscape or seascape etc).If the work is figurative or a still life, these processes are still necessary.

  • This is the pre work that is required for me to feel comfortable to start the initial sketch that I will send to the client. I only work on one sketch to gather the overall feel of the work.

  • After the client has viewed the sketch and suggested any edits to the work I will then prepare an A4 size digital colour painting and send to the client for their final agreement to start the painting.

  • At this stage the client will then pay a 50% deposit prior to me starting the oil painting. This covers my time, travel costs and materials.

  • During the painting stages I will send images of how it is progressing to the client. This often makes them feel more connected to the work and involved.

  • Given that the client is paying for their story to be told, I want to involve them as much as I can and it makes my job so much more enjoyable.

  • Final payment is made on receipt of the artwork.

Sketch no. 1 - Thumbnail sketch

Sketch no. 2 - Small colour sketches in my journal

Sketch no. 3 - A digital sketch in colour close to the finished concept

Sketch no. 4 - The final oil painting in progress

Please let me know if my post has given you enough information on how I put my commissions together. I am happy to answer any questions if I can.

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I found an Artist’s oil painting book that I can’t put down.